Additional Information
Orford Ness has been composed using recordings from a three-day field recording trip to Orford Ness Nature Reserve in July 2016 with Chris Watson and Jez Riley French. The site is of Special Scientific Interest with limited public access due to its history as an atomic weaponry testing site. The piece has been created using four recordings taken during my time exploring the hidden sounds on the Ness. Sounds have been minimally transformed in the studio to create a multichannel immersive sound experience that sculpts sound through space whilst capturing the sonic identity of the place.