Part 4: Listening
"These scores highlight the sounds that subconsciously colour our experience of particular times, places or objects." #BMC50
Jake Thompson-Bell
Jake Thompson-Bell
Part 3: Place and Landscape
"Once performed, these scores can become site-specific meditations, or give rise to fresh musical responses that encourage people to reappraise the landscape around them." #BMC50
Part 2: Composing as Performance
"Graphic scores can engage with the act of ‘composing’ as a kind of performance in its own right... " #BMC50
Intro & Part 1: Storytelling
"Graphic scores have the potential to challenge some of the traditional creative hierarchies by perpetuating more democratic, inclusive forms of music making and appreciation." #BMC50
