As part of my residency at the British Music Collection I researched graphic, open and experimental scores for piano or any solo instrument.
This is the ninth and final enrty in a series of articles relating to my Embedded residency at the British Music Collection supported by Sound and Music and Unlimited Impact.
As part of my residency at the British Music Collection I researched graphic, open and experimental scores for piano or any solo instrument. The following five pieces are all contained within the British Music Collection.
I selected four scores which I found either interesting or challenging to interpret. In addition, I created a new visual score of my own. We filmed and recorded my performances at Leeds College of Music and I briefly explain my approach to each piece before I perform it.
I am hearing impaired; I wear hearing aids and lipread. I lost my hearing through contracting the encephalitis virus [inflammation of the brain] when I was a child. My hearing loss primarily effects my ability to decipher high frequency sound. In addition, I have hyperacusis which is an increased sensitivity to certain frequencies and a ‘collapsed tolerance’ to typical environmental sound for which I frequently need to wear ear plugs to prevent ear pain and resulting headaches. I have been creating work directly influenced by my experience of deafness since 2007
Read the other articles and interviews in Ailís's series on Music and Diability
Jacob Thompson-Bell is a composer and creative producer with a particular focus on multi-media connections and site-responsive work. Current projects include ONE, a site-responsive UK tour of new music and visuals (Arts Council England, and part of Sound and Music Composer-Curator 2017). His music has been performed in venues including the Purcell Room, LSO St Luke’s, Howard Assembly Rooms, British Museum and BFI Southbank. He lives in Leeds.
Find out more about Ailís on her British Music Collection profile or her personal website
