An important feature of this piece is the use of speech-based melody to create three distinct identities, each occupying its own register of the cello. As the piece moves gradually from a generally energetic state to a tranquil one, I’ve explored the physicality of the instrument through the use of harmonic sul ponticello, percussive impacts, and the extended use of pizzicato and jeté.

fp: 05.05.2004; Ben Trigg; City University

Full consent is given to the live performance of this work on the condition that the composer is informed beforehand [contact page at www.robertpercy.co.uk] and is credited as the composer.  The recording and/or broadcasting of this work requires further permission from the composer.